by Ranjha. From the Nala Damayanti series
Kangra School. Late 18th century AD
If Kamdev(Cupid) ignites love, Lord Narad sparks off controversies and discord. Raja Bhima has announced Damayanti's 'Swayambar' ( the right of a bride to choose her husband from an array of suitors). Narad sees a great opportunity to foment trouble amongst the Gods and between the Gods and Nala. So he goes of to the court of Lord Indra. He tells him about Damayanti's beauty and talents. As the chief of the Gods, Lord Indra must marry her. After all, He should have the best things in the world. He goes and tells all the other Gods about her splendid beauty and intelligence. All of them must seek her hand at the Swayembar. The discord is sowed amongst the Gods.
Ranjha paints the Indian version of heaven. In the background, Lord Indra bows and receives the learned Sage Narad. The heavenly damsel ( the Apsara) is seen dancing; the Gods sit in an assembly listening about Damayanti's description. In the foreground, Narad leaves Lord Indra's court, having implemented his dubious plans. The troubles are about to begin.
Narad is said to be Lord Brahma's son. Lord Brahma is the creator. But eve the mind of the creator can be mischievous. Narad is the symbol of the mischievous mind. Such minds are common in any society. One needs to be weary of them.
Ranjha paints the Indian version of heaven. In the background, Lord Indra bows and receives the learned Sage Narad. The heavenly damsel ( the Apsara) is seen dancing; the Gods sit in an assembly listening about Damayanti's description. In the foreground, Narad leaves Lord Indra's court, having implemented his dubious plans. The troubles are about to begin.
Narad is said to be Lord Brahma's son. Lord Brahma is the creator. But eve the mind of the creator can be mischievous. Narad is the symbol of the mischievous mind. Such minds are common in any society. One needs to be weary of them.
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